THE TECHNOLOGY Person inspecting saxophone Popular effects such as Distortion, Chorus and Wah are typically designed to work with the electric guitar. The A1/A1X FOUR provide all-new effects that are engineered to process the unique signals generated by acoustic instruments. A1X Four Product WAH Guitar and Sax/Trumpet charts showing frequency and dynamic band pass filter For example, with the sax and trumpet, original acoustic sounds are controlled by the musician blowing the horn with more or less intensity. As an example, the Wah effects are uniquely re-voiced in the A1/A1X FOUR by adding a Low Pass Filter (LPF) to best control the processed frequency response of the instrument. This allows musicians to hit the peak frequency points while still blowing naturally into the instrument, without losing any expected sonic response of attack and release. Pre-Dist Filter Frequency Response Chart comparison Violin and Guitar Another example is the violin. The bowing attack is key to the expression of the violinist. To recreate the electrified sensation of distortion without losing the bowing attack, the DIST effect for Violin shifts the clipping 1 octave higher, boosts the high frequency and reduces the lows. This creates a more balanced saturation that suits the sonic characteristics of the violin. FEATURES A1 FOUR offers over 80 built-in effects / A1X FOUR offers over 90 built-in effects Dedicated effects for acoustic guitar, saxophone, trumpet, violin, and harmonica Up to 5 effects can be used simultaneously, chained together in any order 50 memory locations for storing user-created patches Looper for recording up to 30 seconds / 64 beats of CD-quality audio with seamless start and end times ZOOM Guitar Lab software for creating, editing and managing effects and patches 68 built-in rhythm patterns tailored for unplugged styles of music can be used in combination with the Looper Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings Output jack for connection to amp or headphones A1 FOUR and A1X FOUR runs on 4 AA batteries, with alkaline battery life of 18 hours; MAA-1 Requires 2 AA batteries USB port for firmware updates, power and connection to ZOOM Guitar Lab *Manufacturer names and product names mentioned in this presentation are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product. SPECS A1 FOUR/A1X FOUR MAXIMUM NUMBER OF SIMULTANEOUS EFFECTS 5 USER PATCHES 50 SAMPLING FREQUENCY 44.1 kHz A/D CONVERSION 24-bit, 128× oversampling D/A CONVERSION 24-bit, 128× oversampling SIGNAL PROCESSING 32-bit DISPLAY 128x32 dot matrix LCD INPUT INPUT Standard mono phone jack Rated input level: -20 dBuInput impedance (line): 470 kΩ AUX IN Stereo mini jack Rated input level: -10 dBuInput impedance (line): 1kΩ OUTPUT OUTPUT Standard stereo phone jack (combined line/headphone) Maximum output level: Line +2 dBu (10 kΩ or more output impedance)Headphones 17 mW + 17 mW (32Ω load) INPUT S/N 120dB NOISE FLOOR (RESIDUAL NOISE) -97 dBu POWER AC adapter: 9V DC 500mA center negative (ZOOM AD-16) 4 AA batteries (about 18 hours continuous operation time when using alkaline batteries with the LCD backlight off) USB USB MIDI, USB Micro-B Power can also be supplied through the USB port.When using a cable designed only for power, other USB functions cannot be used. EXTERNAL DIMENSIONS A1 FOUR Height: 156 mm (D) × 130 mm (W) × 42 mm (H)Weight: 340 g (excluding batteries)A1X FOUR Height: 156 mm (D) × 216 mm (W) × 52 mm (H)Weight: 610 g (excluding batteries) MAA-1 INPUT INPUT XLR balanced input (2: hot) Input gain: +3 – +30 dBInput impedance: 10 kΩMaximum input level: +4 dBu+48V phantom power OUTPUT Standard mono phone jack Nominal output level: −20 dBuMaximum output level: +7 dBuOutput impedance: 1 kΩ POWER 2 AA batteries Continuous operation time (when phantom current is 3 mA) About 15 hours (using alkaline batteries) About 15 hours (using nickel metal hydride batteries) EXTERNAL DIMENSIONS Height: 177 mm (D) × 23 mm (W) × 25 mm (H) Weight : 70 g (excluding batteries) 0 dBu = 0.775 V

FULL TONE CONTROL Recreate the music the Shredmaster is famed for or forge your own path, with fully adjustable tone control. AUTHENTIC AND FAITHFUL Designed and hand-built at our famous Bletchley headquarters and housed in an authentic mild steel chassis. SHAKE THE GROUND Swathes of high gain distortion, perfect for saturated rhythm sounds and searing solos. KEY FEATURES Made in the UK. Hand made, housed in mild steel chassis. Gain, Bass, Contour, Treble and Volume controls. Robust, solid housing built for years of playing. Authentic Vintage Reissue. GENERAL Model PEDL-00102 Power 9V battery or a 9V DC power adaptor (not included). Inputs 1 x 1/4" jack Outputs 1 x 1/4" jack Controls Gain, Bass, Contour, Treble and Volume controls. DIMENSIONS Width 110mm / 4.33" Height 67mm / 2.63" Depth 147mm / 5.78" Weight 0.7kg (without battery)

Circuit: Digital Bypass: Buffered Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 3.65 x 2.0 x 2.0 Current Draw: 100mA Year Released: 2023 The EHX Pico Canyon Echo takes the digital delay from the award-winning Canyon Delay and Looper and plates it up as a single serving echo unit. Starting with a crystal clean delay, the Canyon Echo is a sweetly simple delay with 3 seconds of delay time. Don’t let the size fool you, this canyon is deep! Add filtering, tap tempo, and a feedback knob capable of infinite repeats and this little echo is up to most time bending tasks. The Canyon Echo features a BLEND knob to get the perfect wet/dry mix. The DELAY knob sets the delay time from 8ms to 3s. FEEDBACK is adjustable from 1 repeat to infinite repeats for endless delay washes and pads. Turn the FILTER knob past noon and it’s a High Pass Filter while below noon it is a Low Pass Filter. Tap Tempo is simple and easy to use. Just press and release the footswitch at least two times to set the tempo and the LED will blink to confirm your tap tempo. The tempo can then be subdivided from a quarter note to a dotted eight note to an eighth note with the TAP DIV button. Additionally, the Canyon Echo also features selectable Tails bypass so echoes continue after putting the pedal into bypass. The Canyon Echo also features a new style of Infinite Repeats where a single delay is repeated and the input is taken out of the delay path. This makes the pedal function like a micro tape looper that can be played over without new delays being created. The micro loop can also be manipulated into warped sound effects by adjusting the DELAY knob. Compact Pico chassis Digital delay from Canyon Delay and Looper BLEND controls the wet/dry mix DELAY adjusts delay time from 8ms to 3s FEEDBACK adjusts from 1 repeat to infinite Filter attenuated low-end or high-end frequencies of delayed signal Tap Tempo with 3 tap division modes Selectable Tails bypass allows for echoes to continue after pedal is bypassed Infinite Repeats feature loops a single delay repeat that can be manipulated by the DELAY knob Power adapter included

PHASE modovi donose tradicionalne fejzer efekte, gde prvi od dva odlikuje suptilniji ton dok drugi proizvodi mnogo naglašeniji 'fejzer' efekat. Četiri JET režima omogućuju dodavanje znatnih količina šuma i 'prljavštine' fejzeru, što rađa zanimljive kombinacije svetlijeg i tamnijeg gitarskog „fuzz“-a, kao i dublje i tananije 'fejziranje', uopšte uzevši. Upotrebom Resonance potenciometra, ovaj filter se pretvara u zvuk, koji daje radikalnije tonske skokove. Kontrolišite modulacije sa Slow Rate potenciometrom, uz hitri pritisak fast/slow papučice za maksimalnu brzinu. Pomenuti proces simulira uzbudljive modulacije rotirajućeg zvučnika Hammond orgulja, i može se koristiti sa svrhom podizanja i spuštanja tenzije pri sviranju. Pedala/fejzer ima bypass kolo, koje čuva izvorni signal kada pedala ('stompbox') nije u funkciji. Sa naponom od 18V, fejzer pruža visok prag jačine zvuka pre nego što počne da bude distorziran ('high headroom'), i autentičan sonični kvalitet tona. Napajanje iz dve baterije od po 9V, ili putem 18V adaptera koji je uključen u paket. Warm Audio Jet Phaser Specs Construction: Steel Chassis, Wooden Side Panels Inputs and Outputs: 1/4" TS Connections Controls - Jet Level Knob, Mode Knob, Resonance Knob Slow Rate Knob, Effect/Normal Footswitch, Fast/Slow Footswitches Six modes: 2 x phase & 4 x jet, Resonance control DC Adapter / Battery - Power Switch Modes of Operation: Jet (1 to 4), Phase (1 and 2) Bypass: True Bypass Circuit Power: 2 x 9 V batteries or 18 VDC adapter (Adapter Included) Power Consumption: 9 mA, Powered by a 9 V battery or 18 V DC mains adapter (included) Input: 6.3 mm jack, Output: 6.3 mm jack Dimensions: 26.0 x 16.5 x 5.7 cm Weight: 2.1 kg Packaging Info - Package Weight: 4.75 lb, Box Dimensions (LxWxH): 10.3 x 6.5 x 2.3"

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Controls Pedal switch, LEVEL knob, TONE knob, DRIVE knob Indicator CHECK indicator (Serves also as battery check indicator) Connectors INPUT jack, OUTPUT jack, AC adaptor jack (DC 9 V) Power Supply DC 9 V, Dry battery 6F22 (9 V) type (carbon), Dry battery 6LR61 (9 V) type (alkaline), AC Adaptor (PSA series: optional) Current Draw 36 mA (DC 9 V) Expected battery life under continuous use Carbon: 3 hours, Alkaline: 10 hours * These figures will vary depending on the actual conditions of use. Accessories Owner's Manual, Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information), Dry Battery 006P/9V (6LR61) Options AC Adaptor (PSA series) Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight 440 g 1 lbs. * 0 dBu = 0.775 Vrms* The battery that is supplied with the unit is for temporary use, intended primarily for testing the unit's operation.* We recommend that alkaline battery be used when replacing the battery. *The specifications are subject to change without notice.

Nominal Input Level -20 dBu Input Impedance 1 M ohm Nominal Output Level -20 dBu Output Impedance 1 k ohm Recommended Load Impedance 10 k ohms or greater Bypass Buffered bypass Controls DRIVE knob TONE knob LEVEL knob Pedal switch Indicator CHECK indicator (Used for indication of check battery) Connectors INPUT jack: 1/4-inch phone type OUTPUT jack: 1/4-inch phone type DC IN jack Power Supply Carbon-zinc battery (9 V, 6F22) or Alkaline battery (9 V, 6LR61) AC adaptor (PSA series: sold separately) Current Draw 15 mA Expected battery life under continuous use Carbon: Approx. 34.5 hours Alkaline: Approx. 56 hours *These figures will vary depending on the actual conditions of use. Accessories Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information") Carbon-zinc battery (9 V, 6F22) Options (sold separately) AC adaptor: PSA series Size and Weight Width 73 mm 2-7/8 inches Depth 129 mm 5-1/8 inches Height 59 mm 2-3/8 inches Weight (including battery) 370 g 14 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Jam and Have Fun with YouTube Pocket GT introduces a fun new way to practice, jam, and get better every day. Combining premium BOSS guitar tones with integrated YouTube learning, this pocket-size amp/effects processor pairs with your smartphone or tablet to create the ultimate go-everywhere lesson studio. Watch YouTube content in the companion BOSS Tone Studio app and create song lists, set loop markers, and more. Access deep editing tools to emulate the tones of famous players or craft new sounds all your own. And with automatic user memory switching, you can change up sounds as a YouTube video plays! Adding in other great features like Bluetooth music streaming, USB audio interface capability, and more, Pocket GT is a must-have companion that no guitar player should be without. Standard Features Ultra-compact guitar amp/effects processor with powerful integrated learning features Companion BOSS Tone Studio app (iOS/Android/Mac/Windows) with built-in YouTube browser and deep tone editing tools Create video song lists and set A/B markers to repeat sections Assign user memories to markers and change sounds automatically during video playback Authentic GT sound engine with over 100 amps and effects, ready to play with zero latency 99 user memories (amp and effects settings compatible with the floor-based GT-1 guitar processor) Wirelessly stream music over Bluetooth or connect via the Aux In jack Control song/video playback with dedicated hardware buttons Center Cancel function reduces the volume of guitar solos and vocals in videos and music tracks Built-in rechargeable battery with up to four hours of runtime Onboard tuner with dedicated button for fast access USB audio interface for recording in desktop music software Download additional patches at BOSS Tone Central The Future of Learning Guitar Pocket GT makes learning with YouTube easier and more productive than ever. This miniature hardware hub provides the sound engine and audio connections, while the companion BOSS Tone Studio app features a YouTube browser that streams sound to Pocket GT and deep editing tools for shaping sounds instantly. This integrated approach simplifies set up and eliminates switching between apps, giving you a hassle-free way to enjoy studio-quality guitar tones while watching online lessons and jamming with videos. Build Skills Faster with Powerful Session Tools BOSS Tone Studio comes loaded with tools to supercharge your practice sessions. Create YouTube song lists for quick recall, and loop sections for focused study. And when you want to jam with backing tracks and other songs on YouTube, automatic user memory switching takes the experience to a new level. For example, you can set a clean sound for the verse, crunch for the chorus, and high-gain drive with echo for your lead solo-and they'll all change in real time as the video plays! Premium GT Amps and Effects Equipped with the same sound engine as the best-selling GT-1 floor processor, Pocket GT puts over 100 world-class amps and effects in the palm of your hand. The 99 user memories come filled with ready-to-play sounds, but you can customize them or craft your own from scratch. And since Pocket GT and the GT-1 share the same DNA, stored amp and effects setups can be exchanged via their respective BOSS Tone Studio editors. Direct Hardware Controls Pocket GT's simple-yet-powerful interface puts an array of essential functions at your fingertips. Scroll through user memories with a dedicated knob, tweak amp gain and effects levels, and activate the built-in tuner with a quick press. Remote control buttons are provided as well, providing fast access to YouTube playback. And with the Center Cancel switch, you can instantly reduce the volume of vocals and guitar solos in songs and play them yourself. Bluetooth Streaming, USB Audio, and More Pocket GT doesn't just work with YouTube-you can also wirelessly stream nearly any music app over Bluetooth and play along. There's an Aux In jack too, perfect for connecting a non-Bluetooth music player, drum machine, or other device. If you make music on a desktop computer, you can use Pocket GT to record mix-ready guitar tracks in your DAW via USB. And if you're looking for sonic inspiration, you'll find loads of great patches for download at BOSS Tone Central.

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 6mA Year Released: 2013 The EHX East River Drive is a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you’re always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price! Great for getting some dirt out of a clean amp or pushing your dirty amp over the top True Bypass Tough, compact die-cast chassis 9V battery included

Circuit: Digital Bypass: True Bypass Audio: Mono Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 105mA Year Released: 2009 Down from the heavens comes the EHX Holy Grail, a compact digital reverb guitar pedal that is priced so low thou shalt not covet thy neighbor’s reverb tank any longer. The Holy Grail will make you a believer with its emulation of classic Spring reverb so faithful that even Dick Dale couldn’t tell the difference. Next, get lost in the lush spaciousness of the Hall reverb and ask yourself, how did they fit Notre Dame into such a small package?” Finally, reach enlightenment with the haunting Flerb. Simply the finest “”spring”” reverb available Smooth “”hall”” reverb tailored to the guitar Flerb combines flanging with spatial reverb for a unique ethereal sound Power adapter included

Effects in the MD-500 include many new Prime types developed with cutting-edge BOSS tech, plus authentic sonic recreations of vintage classics like the CE-1 Chorus Ensemble, Roland Dimension D, ‘70s script phaser, ‘80s tri-chorus, and numerous others. With the ability to use two patches at once with A/B Simul mode, the MD-500 can likely cover all your mod needs with one convenient pedal. And by inserting drive pedals in the MD-500’s flexible external loop, it’s easy to place mod effects before, after, or around the loop as needed for the very best sound. Studio-level sound with first-in-class 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate 12 modes and 28 modulation types, all with deep editing parameters Classic mod effects and BOSS originals, newly enhanced with cutting-edge technology A/B Simul mode for using two patches at once, with your choice of series/parallel connection and mixed or split A/B output Insert Loop function allows you to use mod effects before, after, or around drive pedals Graphic LCD and intensive real-time control options 297 onboard patch memories and hands-on controls Selectable buffered-bypass or true-bypass operation MIDI I/O for interfacing with MIDI control devices USB-MIDI for connecting to the MD-500 Editor/Librarian or a DAW Runs on four AA-size batteries or PSA-series AC adapter Twelve Modes and 28 Mod Effect Types The MD-500 includes 12 modes with 28 different mod effect algorithms, and every one of them has been newly developed specifically for this pedal. All the go-to standards are here: chorus, vibrato, flanger, phaser, tremolo, rotary, classic vibe, and ring mod. Auto wah and touch wah effects are on hand too, plus BOSS originals like Slicer and Overtone. Slicer fans will welcome the ability to program custom patterns, an additional feature to the original SL-20 Slicer pedal. And with the MD-500’s spot-on recreation of Roland’s Dimension D from the 1980s, you can add amazing width and depth with one of the most revered studio rack effects of all time. Prime Tone For the MD-500, standard effects like chorus, flanger, phaser, and others have been refreshed with BOSS’s advanced new Prime algorithms. Using ultra-fast, high-powered DSP and the latest technology, BOSS engineers have reimagined these essential effects for enhanced expression, extended range, and maximum transparency. With an array of adjustable parameters per type, you have a massive range of sound-shaping potential at your fingers. Some effects even have all-new parameters never seen in BOSS effects before, such as the “Bell” and “Sweetness” settings included in the Prime Chorus algorithm. Extraordinary Sound The MD-500 features 32-bit/96 kHz AD/DA, exceeding all industry standards for pedal-based effects. All internal processing is 32-bit floating point and runs at a 96 kHz sampling rate as well, delivering pristine sonic quality that goes beyond the highest-level digital processors used in top pro studios. And with selectable true-bypass or buffered-bypass operation, you can choose the best setting to suit the needs of any pedalboard setup. Advanced Interface, Intuitive Operation The MD-500 is equipped with a large LCD that clearly shows the patch name and other vital performance information. It also makes it easy to view and adjust the unit’s deep editing parameters and advanced control features. With the grab-and-go panel knobs, you have top-level access to essential adjustments like depth and effect level, plus two parameter controls that change dynamically with the selected effect type. And via USB, you can connect with the free MD-500 Editor/Librarian on your computer for remote editing, patch backup, and more. A/B Simul Mode and Insert Loop Function A/B Simul mode further extends the MD-500’s versatility by letting you run two patches at once. A selectable series or parallel connection enables all sorts of tone-shaping possibilities, and you can even send each effect to its own separate output if you like. The MD-500 also features an external loop that lets you insert gain and drive pedals and set the ideal effect order on a per-patch basis. For example, you can place a phaser or classic vibe before a drive pedal in one patch, and a chorus or flanger after the drive in the next. And when you’re in A/B Simul mode, it’s even possible to position the loop between two different mod effects. Intensive Real-Time Control With its freely assignable switches and extensive real-time control support, the MD-500 delivers unmatched expression and performance flexibility. By default, the A, B, and TAP/CTL switches offer control for patch/bank selection and bypass, plus tap tempo or real-time adjustment of one or more parameters. If you like, the switches can be customized to access three different mod patches, A/B Simul mode, and other functions. Via the rear-panel CTL 1,2/EXP jack, you can plug in up to two footswitches for further control, or an expression pedal to adjust wah, effect rate, and other parameters. MIDI I/O is also included, enabling further creative possibilities with advanced setups. MD-500 Modes and Algorithms Chorus—Four types: Prime, CE-1 Chorus, CE-1 Vibrato, and TRI-CHO. Flanger—Two types: Prime G (for guitar) and Prime B (for bass). Phaser— Three types: Prime G (for guitar), Prime B (for bass), and Script. Classic Vibe—Two types: Chorus (mixed output) and Vibrato (effect-only output). Vibrato—Two types: Prime and Scanner (tonewheel organ-style vibrato). Tremolo—Four types: Prime T and Prime P, plus Twin and Deluxe amp-style tremolo. Dimension—Models the legendary Roland SDD-320 Dimension D rack unit; includes the original four sound modes and an all-new fifth mode, plus a user setting for saving any combination of modes. Ring Mod—Classic ring modulation effects, plus Intelligent mode for enhanced clarity when playing scales. Rotary—Vintage rotating speaker effect with slow and fast speeds. Filter—Auto wah and touch wah (with independent types optimized for guitar and bass), plus pattern filter type. Slicer—Original BOSS effect derived from the popular SL-20 Slicer, with programmable options not available in the SL-20 pedal. Overtone—Original BOSS effect based on the MO-2 Multi Overtone pedal; uses MDP tech to alter the input signal’s pitch and harmonic characteristics, allowing you to create unique new sound textures.

Three stereo tracks with dedicated footswitches and controls for each Dedicated fader per track Expression pedal for effects control in real time Up to three hours of internal recording and 99 onboard memories 16 onboard effects optimized for looping XLR Microphone input with phantom power USB storage; import/export WAV files Triple Stereo Loops Create, stack, and manipulate multi-layered loops with the RC-300’s three stereo tracks — each track being independently controllable. The “Auto Recording” feature starts recording the moment you begin playing your instrument, or as soon as you start a connected audio player. Count-In mode gives you one-bar of rhythm before recording starts. You can Undo/Redo as you go. The sky’s the limit with three hours of recording time! Expanded Pedalboard The RC-300’s ultra-wide pedalboard is equipped with an Expression pedal (which can be assigned to a variety of parameters) and enlarged footswitches for controlling REC/PLAY and STOP for each track. There’s also a master ALL START/STOP footswitch onboard. Additionally, three independent faders provide immediate control of each track’s output volume. And if that’s not enough control under your hands and feet, you can also connect external Expression pedals and footswitches (sold separately). Onboard FX Process your tracks and external-input signals with the RC-300’s expressive onboard effects, including Transpose, Flanger, Phaser, Modulator, vocal effects, and more. A dedicated LOOP FX footswitch is provided for instant activation of the onboard effects. Control the effects parameters in real time with the Expression pedal for hands-free creativity onstage. You can apply the effects to any single track as well as to the entire mix, expanding your creativity and musical expression. Rhythm Guide and Preloaded Audio To keep your loops tight and in time, you can play along with one of the cool rhythm patterns in the RC-300’s onboard library as you record; the Loop Quantize feature helps you having your recordings looped in time. Dozens of rhythm types are onboard, including rock, pop, shuffle, Latin, and more. A dedicated knob lets you adjust the volume of the rhythm, and you can set the tempo incrementally or via tap tempo. You can also specify the time signature. When you save a phrase, the rhythm type and time signature will also be saved. To get you up and running right away, the RC-300 comes preloaded with audio backing tracks (including bass tracks, piano tracks, etc.) for instant play-along performance and fun. USB Connectivity Connect the RC-300 to your computer via a standard USB cable, and back up your phrases externally for safekeeping. You can import and export WAV files between your computer and the RC-300; 16-bit/44.1kHz WAV files of up to 1.7GB in size can be imported. AUX Input In addition to recording your instrument performances and turning them into playable loops, you can record other external stereo audio sources via the AUX IN. Sounds from a digital-audio player or other device connected to the AUX input can easily be recorded and added to your loop performance. Nominal Input LevelINPUT MIC: -50 dBu (variable) INPUT INST: -10 dBu (variable) INPUT AUX: -20 dBu (variable)Input ImpedanceINPUT MIC: 4 k ohms INPUT INST: 1 M ohm INPUT AUX: 47 k ohmsNominal Output LevelMAIN OUTPUT: -10 dBu SUB OUTPUT: -10 dBuOutput Impedance2 k ohmsRecommended Load Impedance10 k ohms or greaterRecording/PlaybackMaximum Recording Time: Approximately 3 hours (stereo) Maximum Phrase Memory: 99 Number of tracks: 3 Data Format: WAV (44.1 kHz, 16-bit linear, stereo)Effect TypesTranspose, Flanger, Phaser, Pan, Tremolo, Slicer, Bend, Chorus, Robot, Female, Male, Gt->Bass, Filter, Delay, Lo-Fi, DistortionRhythm Types83USB InterfaceHi-Speed USB (USB Mass Storage Class) Hi-Speed USB (USB-AUDIO)PedalsTRACK 1 REC/DUB/PLAY pedal TRACK 2 REC/DUB/PLAY pedal TRACK 3 REC/DUB/PLAY pedal TRACK 1 STOP pedal TRACK 2 STOP pedal TRACK 3 STOP pedal ALL START/STOP pedal LOOP FX pedal EXP 1 pedalSlidersTRACK 1 slider TRACK 2 slider TRACK 3 sliderKnobsMASTER LEVEL knob RHYTHM LEVEL knob AUX knob INST knob MIC knobDisplays7 segments, 2 characters (LED) 16 characters, 2 lines (backlit LCD)ConnectorsINPUT MIC jack: XLR type (balanced/phantom power: DC 48 V, 10 mA) INPUT INST jacks (L/MONO, R): 1/4" phone type INPUT AUX jack: Stereo miniature phone type MAIN OUTPUT jacks (L/MONO, R): 1/4" phone type SUB OUTPUT jacks (L/MONO, R): 1/4" phone type PHONES jack: Stereo 1/4" phone type CTL 1,2 / EXP 2 jack: 1/4" TRS phone type CTL 3,4 / EXP 3 jack: 1/4" TRS phone type USB connector MIDI connectors (IN/OUT/THRU) (*) DC IN jack (DC 9 V) (*) MIDI synchronization is possible with other RC-300 devices or when RC-300 is set to master.Power SupplyDC 9 V (AC adaptor)Current DrawMaximum 320 mA (DC 9 V)AccessoriesOwner's Manual AC adaptor USB capOptions (sold separately)Footswitch (FS-5U, FS-6, FS-7) Expression Pedal (FV-500L, FV-500H, Roland EV-5)SIZE AND WEIGHTWidth536 mm 21-1/8 inchesDepth231 mm 9-1/8 inchesHeight76 mm 3 inchesWeight3.9 kg 8 lbs. 10 oz.

Made with international touring in mind, the built in power supply automatically adjust to all local power standards. Professional musicians will love unique features such as two effect loops and dedicated stereo monitor and balanced main outputs. On top, to boost your performance, up to four pedals can be connected. Features and specifications: Large, super bright display. Designed with sunshine in mind Backlit buttons and labels, made for dark stages Connections: USB / SPDIF / Headphone / Main mix / Monitor Mix / FX Send / 4 x Pedal Dimensions: 47 cm (w) x 26 cm (d) x 8,5 cm (h) / 18.5" (w) x 10.24" (w) x 3.35" (h) Weight 4,6 kg / 10.14 lbs What’s in the box: Kemper Profiler Stage ICU Power Cable Printed Manual

Technically, DARKNESS is a Granular Pitch Shifter, followed by the famous large Reverb found on the Typhon synthesizer and ending up to a gate generator. In addition to this, there is also a micro looper that can hold up 150ms of the input signal, in order to create a freeze effect. Experimenting is strongly suggested. Flexible Shimmer Reverb with Gate function 32bit @ 48kHz Digital Effects Processor Variable Time Scale with Modulation (Triangle or Sample & Hold) Selectable Pitch Shift (+/-12 semitones) with variable mix amount for shimmering sounds Up to 30sec Decay Times 2-Pole Damping Filter (High Pass or Low Pass) Freeze function (loops 150ms of the input signal) Versatile Gate effect with variable Attack and Release Times True Stereo (Input and Output) Selectable Tails Bypass SPECIFICATIONS Circuit Analog Bypass CMOS Audio Mono Inputs / Outputs IN/OUT : TS Unbalanced 6.4mm jack Power Supply 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED) Dimensions (cm) 14 x 10 x 5.6 Current Draw 150mA

Plug your guitar into the Woodrow '55 and choose from numerous legendary mic/speaker pairings, boosts, and amp models, including popular hot-rod options, with more available for download. Featuring built-in mic and speaker pairings derived from the OX Amp Top Box, everything from pristine cleans, to rich overdrive, to lo-fi grunge can be easily attained, while classic boost circuits and controllable room ambience can unleash a universe of possibilities. Whether you are looking to get out in front of your amp or simply add some American tweed tube growl to your guitar sound, the Woodrow '55 amplifier pedal delivers expressive, album-ready studio tones at the flip of a switch. Powerful UAFX Dual-Engine The Woodrow '55 features dual-engine processing combined with UAD audio modeling expertise for an extremely authentic emulation of mid '50s American tube combo amps. Cabinet/mic emulations can be bypassed for simply adding overdrive or tonal flavor to your sounds. Or, immerse yourself in epic grungy distortion, all modeled from a golden-unit vintage tweed amp used for decades by everyone from The Eagles to Chuck Berry to Neil Young. World-Class Amp Modeling Drawing from the custom mic and speaker pairings of UAD's OX Amp Top Box, the Woodrow '55 provides immediate access to inspiring studio tones. Six unique modeled speaker/mic combos are available to either take on the go or spice up your DAW recording, providing a huge range of sounds. From Dapper to Dangerous, in Seconds The Woodrow '55 features three classic boost circuits to give your tone that extra vintage tube growl that only a true American tweed amp can provide. Stock provides users with a clean boost in the stock amp circuit, which adds clean gain without adding distortion and slightly increases midrange and treble while decreasing bass as boost is added. KP-3K provides boost from the KORG SDD-3000 '80s delay rack-unit preamp, and provides a cleaner sound before the boost or pedals are engaged. EP-3 adds the preamp section of a '70s Maestro EP-3 tape delay, unleashing warm tone with plenty of gain, great for thickening sounds. Two Classic Channels, Endless Possibilities Staying faithful to the original the Woodrow '55 features two controllable channels, instrument and mic, which directly emulate the volume controls of the classic American tweed amp. The instrument channel is brighter and more aggressive as it is turned up, while the mic channel is darker and cleaner, with more bottom end. Increasing or mixing both volume controls can alter the amp's character, producing overdriven or compressed tones. These channels even feature expanded clean ranges, providing all of the gain of the original with an improved ability to dial in clean sounds compared to the source. UAFX Mobile App Want to just control all of the Woodrow '55 features without having to bend over and adjust any knobs? UAD has you covered with a handy Bluetooth pairing function that allows you to alter any available parameter directly from your favorite mobile device through the UAFX Control mobile app. Customize features, explore presets, or even download new tones, models, and artist presets all with a few taps. You can even get deep and customize your footswitches for a wide array of functions. Flexible Controls With two footswitches, six knobs, and three switches, the Woodrow '55 contains a bevy of control for those who want maximum sonic flexibility. Gain control for both the instrument channel and mic channel, output gain, room ambience, treble tone, and boost amount all get dedicated rotary knobs so that any amp sound can be quickly dialed in. Speaker type, preset storage, and boost type all get three-position switches for extra flexibility. The dual footswitches default to on/off and preset switching, while further footswitch modes are available with the UAFX Control app. Sophisticated I/O The Woodrow '55 provides users with an elegant and efficient I/O arrangement to enable plenty of options right out of the box. One mono input and one mono output are provided for basic use, while a secondary input and output are also provided for stereo linking. A multitude of connection combinations are possible, from sending stereo outs to an interface or stage PA, to sending separate outs to different amps and effects loops, even more options are unlocked when using multiple Woodrow '55 pedals in tandem. 4-Cable mode, compatible only with UAFX amp pedals, allows the addition of another switchable channel to any real guitar amplifier with an effects loop, allowing you to switch between your guitar amp's built-in preamp section and the sounds in your pedals. Built to Last Featuring the timeless design and rugged craftmanship that UA has become known for, the Woodrow '55 pedal is built to last decades. Whether taken on the road or used in the studio, this pedal can be relied upon to deliver quality sound on demand. Inputs / Outputs USB I/O 1 x USB Type-C Female Input Audio I/O 2 x 1/4" TS Hi-Z/Instrument Input (Input 2 for Stereo) 2 x 1/4" TS Hi-Z/Instrument Output (Output 2 for Stereo) Input Impedances Mono In: 500 Kilohms Stereo In: 1 Megohms Output Impedance 500 Ohms Maximum Input Level 12.2 dBu Maximum Output Level 12.1 dBu Frequency Response ± 3dB 20 Hz to 20 kHz Wireless Bluetooth 5.0 Bluetooth Frequency 2.400 GHz to 2.4835 GHz Power Power Source AC Adapter with Power Brick (Not Included) DC Input Power 9 VDC at 0.4 A Environmental Certifications FCC-B, IC, Kcc, as per Manufacturer Physical Color Silver Dimensions 5.55 x 3.62 x 2.56" / 14.1 x 9.19 x 6.5 cm (With Knobs and Protrusions) Weight 1.24 lb / 0.56 kg

Classic spring, hall, and plate effects are on hand—or rather, under foot. A 224 chamber and a digital plate algorithm are available from Universal Audio via their website and can be loaded into the pedal over USB. In addition to silent switching and buffered true bypass selection, the pedal offers a bevy of control, as well as instant save/recall of your favorite sounds as presets. Note: The required power adapter is available separately. 3 Classic Reverbs Built-In The pedal offers three classic verb effects, including: Spring 65: 3 Golden Unit spring reverb tanks pulled from classic 1960s American guitar amps. Plate 140: 3 vintage German plate reverbs captured at the iconic Record Plant studio. Hall 224: A trio of perfectly modeled late-1970s digital reverb algorithms. In addition to these three effects, you'll have access to more from the Universal Audio website including a vintage digital plate and a model of a 224 chamber. Powered by Dual-Processor UAFX Engine This dual-processor enables you achieve a powerful and authentic sound, and also facilitates simple preset loading with instant recall. Each effect gives you controls to take full advantage of the tone. Classic UA Analog Design Just like classic and modern UA gear, this pedal is built to last. It also offers both true and buffered bypassing (thanks to a UAD firmware update), as well as silent switching onstage and in the studio. Goodies Commensurate with a Pro Reverb Pedal This pedal offers an analog dry-through path to preserve the integrity of your guitar's tone. You'll be able to use the pedal in mono, stereo, and dual-mono setups, and you'll have the ability to select how the reverb trails off (or cuts abruptly) when you disengage the effect. Universal Audio GPM-GOLD Specs I/O 2 x 1/4" TS Instrument Inputs 2 x 1/4" TS Instrument Outputs USB Type-C for Computer Updates Controls Decay Knob Predelay Knob Mix Knob Bass Knob Treble Knob Mod Knob Mode Switch Store Switch A/B/C Switch On Footswitch Preset Footswitch Power Requirements Isolated 9 VDC, Center-Negative, 400 mA Minimum (Power Supply Available Separately) Dimensions Not Specified by Manufacturer Weight Not Specified by Manufacturer Packaging Info Package Weight 1.71 lb Box Dimensions (LxWxH) 7.5 x 4.9 x 3.1"

Key Features Active/Passive pickup selector PURE channel for transparent sound JFET channel adds warmth & harmonics Z-TONE variable impedance control creates a wide range of tones 20 dB pad for extended operating range Balanced & unbalanced outputs Link out splits signal to amps & pedals Ground lift switch eliminates buzz & hum Rugged, stage-ready metal housing Designed and made in Italy A whole new way to record Z-TONE DI lets you record two tracks simultaneously: the processed track coming from your amp and effects rig, and a direct track for post-processing using amp sims like the included AmpliTube 4. This way you can record with your real gear, and at the same time have maximum tone flexibility with a second track that you can process and fine-tune at will, without having to record countless takes. Z-TONE DI recording Powerful tone shaping options Z-TONE DI offers a high-quality instrument preamp with exceptionally low noise and wide frequency response, and multiple circuit topologies to adapt to any type of guitar, pick-up and style. Pick your pickup: PASSIVE: designed to accommodate everything from low-output vintage pickups to hotter modern humbuckers with ultra-low noise and extended frequency response. ACTIVE: bypasses unnecessary gain stages when using active pick-ups, to keep your signal path as direct, transparent and clean as possible. Choose your channel: PURE: a completely transparent and ultra-accurate preamp circuit that won’t color your sound in any way. JFET: a Class A JFET input buffer for subtle harmonic enhancement, midrange focus and warmth. Tone and feel like you’ve never heard Guitar pickups can dramatically change their character depending on the impedance of your preamp. That’s why the tone and responsiveness of your guitar can change when plugging into different gear. Z-TONE DI puts you in control, with the same variable impedance control as our award-winning AXE I/O audio interface. Dial in impedance from 1 MOhm to 2.2 kOhms to shape your sound In unique ways. At the maximum impedance, you’ll find your sound tighter, sharper and more precise. Increase the load and the sound becomes thicker and more bold. You’ll quickly find yourself using this to give your guitars even more sonic character, dialing in sound that fits beautifully into the mix without the need for EQ. Z-Tone Premium sound & build Best of all, Z-TONE DI is designed to preserve the natural tone of your instrument. With exceptional 114 dB(A) dynamic range and extended 5 Hz - 30 kHz (+/- 1 dB) frequency response, , Z-TONE DI ensures every nuance and detail of your instrument is carefully maintained. And Z-TONE DI is made in IK’s Modena factory and packed in a rugged metal housing for years of reliable performance. Comprehensive options Z-TONE DI offers a range of useful output options. The balanced XLR output offers a switchable ground lift, to eliminate noise and hum caused by ground loops, and an unbalanced ¼” output offers additional flexibility. An optional 20 dB pad extends the useful range of the unit, letting you use instruments and sources aside from guitar & bass. Many keyboards, synths and more still benefit from Z-TONE’s unique PURE / JFET circuits and ground lift feature, for flexible routing and tone shaping. Z-TONE DI runs off a 9V battery for easy portability, but can also be powered by +48v phantom power from your mixer or interface to run longer sessions without worries! Dual track, high end guitar/bass recording AmpliTube 4 takes your recording to a new level Z-TONE DI comes with a full download version of AmpliTube 4, the hyper-realistic guitar and bass tone studio for Mac/PC. You can easily expand your sonic collection with IK’s range of additional amp and effect models – there are over 280 pieces to choose from, including officially licensed re-creations of gear from Fender®, Orange®, Mesa-Boogie® and other iconic gear manufacturers, as well as guitar legends like Slash, Jimi Hendrix and Dimebag Darrell, all available a la carte. Bring Z-TONE to your pedalboard and more Looking to level up your live rig? Check out Z-TONE Buffer Boost offering the same killer features in a convenient pedal format to upgrade your stomp & amp rig. Or check out AXE I/O and AXE I/O SOLO, IK’s range of premium audio interfaces offering the same great tone-shaping features, and find out just how easy creating best-in-class guitar recordings can be.

THE TECHNOLOGY Person inspecting saxophone Popular effects such as Distortion, Chorus and Wah are typically designed to work with the electric guitar. The A1/A1X FOUR provide all-new effects that are engineered to process the unique signals generated by acoustic instruments. A1X Four Product WAH Guitar and Sax/Trumpet charts showing frequency and dynamic band pass filter For example, with the sax and trumpet, original acoustic sounds are controlled by the musician blowing the horn with more or less intensity. As an example, the Wah effects are uniquely re-voiced in the A1/A1X FOUR by adding a Low Pass Filter (LPF) to best control the processed frequency response of the instrument. This allows musicians to hit the peak frequency points while still blowing naturally into the instrument, without losing any expected sonic response of attack and release. Pre-Dist Filter Frequency Response Chart comparison Violin and Guitar Another example is the violin. The bowing attack is key to the expression of the violinist.
 To recreate the electrified sensation of distortion without losing the bowing attack, the DIST effect for Violin shifts the clipping 1 octave higher, boosts the high frequency and reduces the lows. This creates a more balanced saturation that suits the sonic characteristics of the violin. FEATURES A1 FOUR offers over 80 built-in effects / A1X FOUR offers over 90 built-in effects Dedicated effects for acoustic guitar, saxophone, trumpet, violin, and harmonica Up to 5 effects can be used simultaneously, chained together in any order 50 memory locations for storing user-created patches Looper for recording up to 30 seconds / 64 beats of CD-quality audio with seamless start and end times ZOOM Guitar Lab software for creating, editing and managing effects and patches 68 built-in rhythm patterns tailored for unplugged styles of music can be used in combination with the Looper Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings Output jack for connection to amp or headphones A1 FOUR and A1X FOUR runs on 4 AA batteries, with alkaline battery life of 18 hours; MAA-1 Requires 2 AA batteries USB port for firmware updates, power and connection to ZOOM Guitar Lab *Manufacturer names and product names mentioned in this presentation are trademarks or registered trademarks of their respective owners and do not indicate any affiliation with ZOOM CORPORATION. All product and artist names are intended only to illustrate sonic characteristics that were used as reference in the development of this product. SPECS A1 FOUR/A1X FOUR MAXIMUM NUMBER OF SIMULTANEOUS EFFECTS 5 USER PATCHES 50 SAMPLING FREQUENCY 44.1 kHz A/D CONVERSION 24-bit, 128× oversampling D/A CONVERSION 24-bit, 128× oversampling SIGNAL PROCESSING 32-bit DISPLAY 128x32 dot matrix LCD INPUT INPUT Standard mono phone jack Rated input level: -20 dBuInput impedance (line): 470 kΩ AUX IN Stereo mini jack Rated input level: -10 dBuInput impedance (line): 1kΩ OUTPUT OUTPUT Standard stereo phone jack (combined line/headphone) Maximum output level: Line +2 dBu (10 kΩ or more output impedance)Headphones 17 mW + 17 mW (32Ω load) INPUT S/N 120dB NOISE FLOOR (RESIDUAL NOISE) -97 dBu POWER AC adapter: 9V DC 500mA center negative (ZOOM AD-16) 4 AA batteries (about 18 hours continuous operation time when using alkaline batteries with the LCD backlight off) USB USB MIDI, USB Micro-B Power can also be supplied through the USB port.When using a cable designed only for power, other USB functions cannot be used. EXTERNAL DIMENSIONS A1 FOUR Height: 156 mm (D) × 130 mm (W) × 42 mm (H)Weight: 340 g (excluding batteries)A1X FOUR Height: 156 mm (D) × 216 mm (W) × 52 mm (H)Weight: 610 g (excluding batteries) MAA-1 INPUT INPUT XLR balanced input (2: hot) Input gain: +3 – +30 dBInput impedance: 10 kΩMaximum input level: +4 dBu+48V phantom power OUTPUT Standard mono phone jack Nominal output level: −20 dBuMaximum output level: +7 dBuOutput impedance: 1 kΩ POWER 2 AA batteries Continuous operation time (when phantom current is 3 mA) About 15 hours (using alkaline batteries)
About 15 hours (using nickel metal hydride batteries) EXTERNAL DIMENSIONS Height: 177 mm (D) × 23 mm (W) × 25 mm (H) Weight : 70 g (excluding batteries) 0 dBu = 0.775 V

SUB HARMONICS - set the amount of sun signal effect you require CLEAN - set the or blend the clean signal of the bass True Bypass Switching 100mA draw 9 Volt Power Supply (not included) The PRO-FX 9v range The Ashdown PRO FX 9 volt range of effects pedals are designed for guitarists and bass players by guitarists and bass players. Designed and Engineered in the UK with Electronics Engineer Dave Green, Dave has been part of the team at Ashdown since around 2006 and has been behind many of our new products in terms of electronic design. This range of pedals has been months in development and are some of our best sounding pedals we have ever designed. Taking from what we have learned from the market we wanted an affordable range of pedals distinctive in looks but most importantly characterful in tone and features. All pedals in the range are constructed with robust Steel housings with Anodised front fascias. Genuine Neutrik Jack sockets are used throughout.

Distortion, chorus, and more are all on hand, as are 9 bass-amp models that simulate classic combinations. Five effects can be chained at any time and in any order. You can save these effects in one of the 50 user preset patches. Switch among patches (or banks of patches) quickly with the tap of a toe, so you can change your live or studio sound with ease. You can also change global characteristics to retain a sense of unity among patches. A three-knob tone stack and the overall output level knob do not change as you cycle through your sounds. The pedal sports 60 different effects, and you can edit or add more effects from your computer too. Simply hook the pedal up to your Mac or Windows machine over a USB cable and add effects from Zoom's Guitar Lab software. The B1 Four provides one 1/4" instrument input, one 3.5mm input for mobile devices and media players, and a combined amp/headphone output. The unit runs on four AA batteries, giving you up to 18 hours of run time. You can also power the unit with a dedicated ZOOM AD-16 AC adapter or over USB. Key Features at a Glance Over 60 built-in effects 9 amp models for simulating classic rigs Up to 5 effects can be used simultaneously or chained together in any order Looper records up to 30 seconds (64 beats of CD-quality audio with seamless start and end times) ZOOM Guitar Lab software for creating, editing, and managing effects and patches 68 built-in rhythm patterns, which can be used in conjunction with the Looper 50 memory locations for storing user-created patches Auto Save function for automatic saving of all patch parameters Onboard chromatic tuner supports all standard guitar tunings including open and drop tunings Input jack accepts standard mono guitar cable Both active and passive instruments are supported Auxiliary input jack for connection of personal music players Output jack for connection to amp or headphones Runs on 4 AA batteries Alkaline battery life of 18 hours USB port for firmware updates, power, and connection to ZOOM Guitar Lab Simultaneous Effects 5 Maximum Patches 50 User Patches Sampling Frequency 44.1 kHz AD/DA Conversion 24-Bit, 128x Oversampling Signal Processing 32-Bit, Internal Display 128 x 32 Dot Matrix LCD Input 1 x 1/4" TS Input, Phone Type 1 x 3.5 mm Auxiliary Input, Stereo, Phone Type Input Level 1/4" Instrument: -20 dBu 3.5 mm Auxiliary: -10 dBu Input Impedance 1/4" Instrument: 470 kOhms 3.5 mm Auxiliary: 1 kOhm Output 1 x 1/4" TRS Output (Combined Line and Headphone Jack) Maximum Output Level Line: +2 dBu Headphones: 17 mW + 17 mW Output Impedance Line: ≥10 kOhms Headphones: 32 Ohms Load Signal to Noise Ratio 120 dB Noise Floor -97 dBu AC Adapter 9 VDC, 500 mA, Center Negative (ZOOM AD-16) Battery Power 4 x AA Batteries Battery Life (approx.) About 18 Hours, Continuous Operation with Using Alkaline Batteries USB MIDI: Micro-USB Type-B When Using a Cable Designed only for Power, other USB Functions Cannot be Used Dimensions 6.1 x 5.1 x 1.7" / 15.6 x 13.0 x 4.2 cm Weight 12 oz / 340 g Packaging Info Package Weight 1.445 lb Box Dimensions (LxWxH) 9.4 x 6.8 x 2.4"

Specifications (Looper) Sampling Frequency 44.1 kHz AD/DA Conversion 32 bits Processing 32-bit floating point Recording/Playback Maximum Recording Time: Approx. 6 hours (stereo) Maximum Phrase Memory: 99 Number of Tracks: 2 Data Format: WAV (44.1 kHz, 32-bit float, stereo) Specifications (Rhythm) Rhythm Type 280 types or greater Rhythm Control Intro, Pattern 1, Pattern 1 Fill, Pattern 2, Pattern 2 Fill, Ending Rhythm Kit 16 types Maximum Polyphony 24 voices Effect Reverb (only for rhythm part) Specifications (Common) Memory 99 Nominal Input Level INPUT A/MONO, B: -10 dBu Maximum Input Level INPUT A/MONO, B: +8 dBu Input Impedance INPUT A/MONO, B: 1 M ohm Nominal Output Level OUTPUT A/MONO, B: -10 dBu Maximum Output Level OUTPUT A/MONO, B: +8 dBu Output Impedance OUTPUT A/MONO, B: 1 k ohms Recommended Load Impedance OUTPUT A/MONO, B: 10 k ohms or greater Bypass Buffered bypass Controls RHYTHM switch, LOOP switch VALUE knob, RHYTHM LEVEL knob, LOOP LEVEL knob MENU button, EXIT button Display 16 characters x 2 lines LCD (with backlit) Indicator RHYTHM indicator, LOOP indicator Connectors INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: stereo miniature type DC IN jack USB COMPUTER port: USB micro B type Power Supply AC adaptor Current Draw 250 mA Accessories Owner's Manual Leaflet "USING THE UNIT SAFELY" AC adaptor Rubber foot x 4 Options (sold separately) Footswitch: FS-5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535 Size and Weight Width 101 mm 4 inches Depth 138 mm 5-7/16 inches Height (excluding rubber foot) 63 mm 2-1/2 inches Height (including rubber foot) 65 mm 2-9/16 inches Weight (excluding AC adaptor) 620 g 1 lbs 6 oz * 0 dBu = 0.775 Vrms *The specifications are subject to change without notice.

Circuit: Analog Bypass: Buffered Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 5.75 x 4.75 x 2.5 Current Draw: 15mA Year Released: 2012 The EHX Deluxe Bass Big Muff is the flagship of EHX bass fuzz and delivers enhancements to the classic Bass Big Muff Pi that are specifically tailored to the needs of the modern bass player. The sturdy foundation of the Deluxe Bass Big Muff is the thunderous tone insprired by the classic Black Russian Big Muff of the ’90s. Added to that is a Blend knob to mix back in your original tone and add definition to your low end. A Gate quiets unwanted hiss for a smooth performance. The ultimate tone-scultor of the pedal is the Crossover section. Here the Fuzz and Dry signals are seperated and run though a High Pass Filter and Low Pass Filter respectively. This creates a tone with fiery top and and a huge, thumping bottom. This is the most versitile Bass Big Muff ever! Pad on the input that’s switchable between 0dB and -10dB ensures the pedal is optimized for use with both passive and active pickups Blend allows a player to mix to taste the direct and distorted signals Three outputs: a 1/4″” effect out, 1/4″” direct (buffered dry) out and XLR DI out give complete control of your output signal and sound Foot-switchable crossover section with a variable low pass filter on the dry signal and a variable high pass filter on the distorted signal give bassists the ability to sculpt their sound Crossover circuit, in conjunction with the Blend control, lets you keep the low-end clear and focused and the high-end bright and cutting Built-in noise gate with an adjust threshold eliminates unwanted noise at any level Tough and compact die-cast chassis 9V battery included

Circuit: Analog Bypass: True Bypass Audio: Mono Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included) Dimensions (in): 4.5 x 2.75 x 2.1 Current Draw: 5mA Year Released: 2023 Originally designed by Josh Scott of JHS Pedals and graphic designer, Daniel Danger as a homage to Electro-Harmonix in what Josh and Daniel consider the company’s design heyday of the 1970s, the EHX Lizard Queen Octave Fuzz is a nano-sized version of the pedal brought to life by the engineers at Electro-Harmonix that has all of the tones and vibes of the original circuit design by Josh. The tone is inspired by EHX’s fuzz pedigree with a unique analog octave up circuit that has all the vibe of the original design first featured on the JHS Show in 2022. This creates a completely new and unique EHX fuzz sound we’ve never heard before. To further tell the tale, the pedal is adorned with vintage EHX-inspired graphics designed by Daniel. Housed in EHX’s Nano-sized chassis, the EHX Lizard Queen is a fixed gain fuzz pedal which features Volume, Octave, and Balance knobs. Volume controls the overall output volume level. The Octave control adjusts the level of the octave-up signal from zero to full octave chaos. Perfect for dialing in a crushing rhythm sound or a chimey, clanging lead sound. The Balance knob sets the tone balance between the smoother Shadow setting and the raspy, biting Sun setting. The effect of the Balance control is especially apparent with the octave set high. Unique transistor-based octave fuzz distortion circuit designed by Josh Scott Blendable Octave to dial in the analog octave chaos Balance control adjusts between smooth sustaining tones and raspy fuzz tones 1970s Electro-Harmonix graphic designed by Daniel Danger True Bypass 9V Battery included (9V adapter optional)

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colors from modern digital to classic analog, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There’s also a looper that’s always ready to use, plus a selectable carryover function for seamless transitions between memories. Version 1.1 Update: User Memory Expansion The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change. The Version 1.1 update is available in the Downloads section for each 200 series pedal. Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate Twelve versatile modes provide a wide range of delay types Fast, easy operation with hands-on controls Access 128 user setups from the panel or MIDI program change Recall consecutive memories plus real-time panel setting via footswitch or dedicated panel button Phrase looper with up to 60 seconds of recording time Panel Lock function disables controls to prevent unwanted changes Customizable multi-function footswitches for bypass, tap tempo, memory selection, looper control, and more Support for expanded control via external footswitches, an expression pedal, or MIDI Full MIDI I/O provided with mini TRS jacks (BMIDI-5-35 adaptor cable available separately) Micro USB jack for firmware updates Analog dry through and buffered bypass Runs on PSA-series AC adaptor or three AA-size batteries Twelve Modes, Unlimited Sounds With 12 different modes to choose from, the DD-200 provides nearly any flavor of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analog echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There’s also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colors are just a knob twist away. Dial in Sounds Fast The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive. Save and Recall Your Favorite Setups The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It’s also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions. Deep Real-Time Control By default, the DD-200’s multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you’re able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers. Ready-to-Go Looper Any time you’re ready, pressing the DD-200’s two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you’re able to develop expressive loops with any of the DD-200’s rich delay sounds. DD-200 Delay Modes Standard—Clear digital delay. PARAM adjusts the delay attack. Analog—Emulates classic analog “BBD” delays like the BOSS DM series. PARAM controls character and distortion amount. Tape—Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound. Drum—Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound. Shimmer—Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness. Tera Echo—Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character. Pad Echo—Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack. Pattern—Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations. Lo-Fi—Delay sound with fat, distorted character. PARAM adjusts the distortion effect. Dual—Two different delay lines connected in series. PARAM adjusts the time of the second delay. Reverse—Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack. Ducking—Delay with a built-in ducking effect. PARAM adjusts the input sensitivity. SPECIFICATIONSSampling Frequency96 kHzAD/DA Conversion32 bitsProcessing32-bit floating pointModes12 modes STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSEMemory127 + ManualNominal Input LevelINPUT A/MONO, B: -10 dBuMaximum Input LevelINPUT A/MONO, B: +7 dBuInput ImpedanceINPUT A/MONO, B: 2 M ohmNominal Output LevelOUTPUT A/MONO, B: -10 dBuMaximum Output LevelOUTPUT A/MONO, B: +7 dBuOutput ImpedanceOUTPUT A/MONO, B: 1 k ohmsRecommended Load ImpedanceOUTPUT A/MONO, B: 10 k ohms or greaterBypassBuffered bypassControlsON/OFF switch, MEMORY/TAP switch MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob TAP DIVISION button, MEMORY buttonDisplay7 segments, 3 characters (LED)IndicatorTAP DIVISION indicator, MEMORY (MAN, 1--4) indicatorsConnectorsINPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type CTL 1, 2/EXP jack: 1/4-inch TRS phone type MIDI (IN, OUT) jacks: Stereo miniature phone type DC IN jack USB port: USB micro B-type (program update only)Power SupplyAlkaline battery (AA, LR6) x 3, AC adaptor (sold separately)Current Draw225 mAExpected Battery Life Under Continuous UseAlkaline: Approx. 4 Hours * These figures will vary depending on the actual conditions of use.AccessoriesOwner's Manual Leaflet "USING THE UNIT SAFELY" Alkaline battery (AA, LR6) x 3 Rubber foot x 4Options (sold separately)AC adaptor: PSA-S series Footswitch: FS-5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 TRS/MIDI cable: BMIDI-5-35SIZE AND WEIGHTWidth101 mm 4 inchesDepth138 mm 5-7/16 inchesHeight63 mm 2-1/2 inchesHeight (including rubber foot)65 mm 2-9/16 inchesWeight610 g 1 lb 6 ozWeight (including battery)680 g 1 lb 8 oz

Circuit: Analog / Digital Bypass: Buffered Bypass Audio: Mono Effects Loop: Yes Power Supply: 9.6VDC-200mA power adapter included Dimensions (in): 5.75 x 4.75 x 2.5 Current Draw: 125mA Year Released: 2016 Combines two sweet pedals — the Soul Food transparent overdrive and Nano POG polyphonic octave generator—-in one potent multi-effect. Use them alone or together, put either first in the chain, insert other pedals between them with the FX loop. Also includes a cool Mode switch for a choice of two different octave-up sounds. The versatile EHX Soul POG delivers award-winning overdrive and flawless polyphonic octaves in any combination! Multi-effect pedal combines the Soul Food transparent OD and Nano POG polyphonic octave generator Soul Food delivers transparent overdrive with great touch, response and headroom Nano POG features a polyphonic sub-octave and octave up with flawless tracking Use either effect alone or combine them in any order Choose between two different octave-up sounds Built-in FX loop Power adapter included

With six pedal switches and a built-in expression pedal, the G6 lets you fly around your effects just like an analog board. There are 68 built-in rhythm parts on hand for solo performances, and you can loop over 2 hours of material when you have an SD card plugged into the board. In addition, you can expand your palette of sounds with Zoom’s free Guitar Lab software for Mac and Windows, or the Handy iOS app. You can download new effects, amp and cabinet emulators, as well as exclusive patches from a diverse and growing list of pro guitarists. Goodies Galore 240 Patches The G6 has room for 240 patches including 100 presets, so you can build patches for each song in your repertoire and easily cycle through your setlist. Create patches of up to nine effects or seven effects plus emulation. Integrated Pedalboard With 6 stomp switches and an expression/volume pedal, you'll be able to change effects on the fly as you would with an analog pedalboard. Touchscreen Functionality The 4.3" color LCD touchscreen interface makes sound selection a breeze. Rhythm Patterns and More 68 rhythm patterns and a built-in 2-hour looper (with SD card) let you create interesting textures all by yourself. Built-In Audio Interface You can use the G6 as a 2-in / 2-out interface, so you can record killer tones right to your favorite DAW. Works with Multiple Apps The pedal is compatible with Zoom Guitar Lab, as well as the Handy Guitar Lab iOS app. Get access to a host of killer tones, deep parameter editing, and more. Wireless control is possible via a separately available BTA-1 Bluetooth adapter. Sounds Galore Lots of FX The G6 delivers the ultimate collection of Zoom's legendary guitar effects and tones, including brand new Distortion and Modulation effects. New distortion effects include Wave Shaper and Razor Drive. Polyshift is on hand for two-octave modulation, as is a doubling effect called Geminos. Chain up to 9 effects, or 7 effects with amp emulation. Amps The G6 provides a total of 22 cabinet emulations of all modeling amps. Plenty of classic amplifier sounds are included, and you can use them with or without included IR cab responses. Cabs The G6 provides 70 preloaded, full-spectrum impulse responses of cabinets, which is quite useful if you're routing your sound directly into a house PA. These impulse responses were captured by placing the microphone in three different positions. Each cabinet has a recording where the mic was placed 1" away, 12" away, and deeper out into the room. FX Chain up to 9 effects or 7 effects + amp emulation 4 Play Modes Looper Use the Looper to add layers to your sound. Create loops up to 2 hours using an SD/SDXC card. Memory Ideal for organizing your patches for performances, the Memory Mode allows the foot switches to activate one of the 4 patches in each bank. Bank/Patch This mode lets you scroll up and down through your banks and patches by clicking the corresponding foot switch. Effect Board This mode provides a visual representation of your pedal chain. By clicking the assigned foot switch, you can turn on or turn off an effect in your patch. Zoom G6 Specs Simultaneous Effects 9 Patch Memory 240 User Patches Sampling Frequency 44.1 kHz A/D Conversion 24-Bit with 128x Oversampling D/A Conversion 24-Bit with 128x Oversampling Signal Processing 32-Bit Frequency Response 20 Hz to 20 kHz (±0.5 dB, 10-Kilohm Load) Display 4.3" TFT Color LCD (480 × 272) Input 1/4" Phone Jack Rated Input Level: -20 dBu Input Impedance: 550 Kilohms Return 1/4" Phone Jack Rated Input Level: -20 dBu Input Impedance: 1 Megohm Aux Input Stereo Mini Jack: 3.5 mm Rated Input Level: -10 dBu Input Impedance (Line): 10 Kilohms Output Output R Standard 1/4" Phone Jack Maximum Output Level: +11.4 dBu (Output Impedance 10 Kilohms or Higher) Output L/Mono (Phones) Standard 1/4" Phone Jack Maximum Output Level: +11.4 dBu (Output Impedance 10 Kilohms or Higher) Send Standard Stereo Phone Jack Maximum Output Level: +11.4 dBu (when Output Impedance 10 Kilohms or Higher) Headphone 24 mW + 24 mW (at 32-Ohm Load) S/N Ratio 123 dB Noise Floor Left and Right: -99.3 dBu Send: -99.0 dBu Control Input FP02M Expression Pedal Input Power Adapter AC Adapter: 9 VDC (Center Minus Plug), 500 mA (ZOOM AD-16) USB Port: USB 2.0 Micro-B Guitar Lab: USB 1.1 Full Speed Audio Interface: USB 2.0 Full Speed, 44.1 kHz / 32-Bit, 2-In, 2-Out SD Card Standards: Cards Supporting SD/SDHC/SDXC Specifications (Class 10 or Higher) Looper: 44.1 kHz / 16-Bit Stereo WAV IR: 44.1 to 192 kHz, 16- / 24- / 32-Bit WAV Dimensions 9 x 16.5 x 2.6" / 22.8 x 41.8 x 6.5 cm Weight 4.3 lb / 1.9 kg Packaging Info Package Weight 6.745 lb Box Dimensions (LxWxH) 21.4 x 12.8 x 3.7"